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Examples include rhumba , Afro-Cuban jazz , salsa , soukous , many West African re-adaptations of Afro-Cuban music Orchestra Baobab , Africando , Spanish fusion genres notably with flamenco , and a wide variety of genres in Latin America. He remained in Cuba until his death, and made an important contribution to the Cuban musical patrimony. Cervantes' reputation today rests almost solely upon his famous forty-one Danzas Cubanas , which Carpentier said, " Cervantes' never-finished opera, Maledetto , is forgotten. Chinese immigrants contributed the corneta china Chinese cornet , a Chinese reed instrument still played in the comparsas , or carnival groups, of Santiago de Cuba. Juan Blanco was the first Cuban composer to create an electroacoustic piece in This first composition, titled "Musica Para Danza", was produced with just an oscillator and three common tape recorders. The African beliefs and practices certainly influenced Cuba's music. Non-Cubans sometimes called Cuban contradanzas "habaneras. While many contradanzas were written for dance, from the mid-century several were written as light-classical parlor pieces for piano. Most Cuban composers that established their residence outside Cuba have worked with electroacoustic technology. His numerous works spanned all genres. The piece is said to be similar to 16th-, 17th- and 18th-century Spanish popular songs and dances. These shows probably dwarfed anything seen in the island before or since, and no doubt were unforgettable for those who attended. There were few professional musicians at the time, and fewer still of their songs survive. Cuban music has been immensely influential [ citation needed ] in other countries. Fernando Ortiz , the first great Cuban folklorist, described Cuba's musical innovations as arising from the interplay 'transculturation' between African slaves settled on large sugar plantations and Spaniards from different regions such as Andalusia and Canary Islands. The most important of these is guitarist Leo Brouwer , who have made significant contributions to the technique and repertoire of the modern classical guitar, and has been the director of the National Symphony Orchestra of Cuba. He reported instruments including the clarinet , violin and vihuela. After his student days, Caturla lived all his life in the small central town of Remedios, where he became a lawyer to support his growing family. Also, in African tradition, percussion is always joined to song and dance, and to a particular social setting. They cultivated genres such as the popular song and the concert lied , dance music, the zarzuela and the vernacular theatre, as well as symphonic music. According to Helio Orovio, "After Saumell's visionary work, all that was left to do was to develop his innovations, all of which profoundly influenced the history of Cuban nationalist musical movements. For instance, the son cubano merges an adapted Spanish guitar tres , melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Large numbers of African slaves and European, mostly Spanish, immigrants came to Cuba and brought their own forms of music to the island. After a few months, and without asking for permission, he opened the Electroacoustic Studio to all composers interested in working with electroacoustic technology, thus creating the ICAP Electroacoustsic Music Workshop TIME , where he himself provided training to all participants. The first distinguished composer in this style was Manuel Saumell — , who is sometimes accordingly hailed as the father of Cuban creole musical development. His Obertura cubana won first prize in a national contest in Caturla was murdered at 34 by a young gambler. After the Cuban Revolution , many future Cuban composers emigrated at a very young age and developed most of their careers outside the country. He composed many creolized pieces, such as the habanera Bamboula, Op. Polyrhythmic percussion is an inherent part of African music, as melody is part of European music. Most of them received a solid musical education provided by the official arts school system created by the Cuban government and graduated from the Instituto Superior de Arte ISA. His works consisted of zarzuela , Afro-Cuban and Cuban rhythms, suites and many songs that became Latin standards. He was a piano prodigy who had listened to the music and seen the dancing in Congo Square , New Orleans from childhood. In he was appointed Director of the Havana School of Music. This was a nucleus for the later development of a national Cuban Guitar School with which a new generation of guitarists and composers collaborated.{/INSERTKEYS}{/PARAGRAPH} Mungol actively participated in the musical life of Havana and was a professor at the Hubert de Blanck conservatory. Cuban music has contributed to the development of a wide variety of genre and musical styles around the globe, most notably in Latin America , the Caribbean , West Africa and Europe. He encouraged continuous and diverse musical events. Closely following the early post-revolution generation, a group of young composers started to attract the attention of the public that attended classical music concerts. All of them have emigrated and currently live and work in other countries. The great instrumental contribution of the Spanish was their guitar , but even more important was the tradition of European musical notation and techniques of musical composition. Although, in Cuba, many composers have written both classical and popular creole types of music, the distinction became clearer after , when at least initially the regime frowned on popular music and closed most of the night-club venues, whilst providing financial support for classical music rather than creole forms. Cuban music has its principal roots in Spain and West Africa, but over time has been influenced by diverse genres from different countries. In , the composer included in his zarzuela "El Brujo" the first Cuban guajira which has been historically documented. {PARAGRAPH}{INSERTKEYS}The music of Cuba , including its instruments, performance and dance, comprises a large set of unique traditions influenced mostly by west African and European especially Spanish music. Since the 19th century Cuban music has been hugely popular and influential throughout the world. The African slaves and their descendants made many percussion instruments and preserved rhythms they had known in their homeland. In addition, there are other percussion instruments in use for African-origin religious ceremonies. European dances and folk musics included zapateo , fandango , paso doble and retambico. His most famous work is La bella cubana , a habanera. In the hands of his successor, Ignacio Cervantes Kawanagh, the piano idiom related to the contradanza achieved even greater sophistication. As a result of the enormous scarcity generated by the trade embargo placed on Cuba by the United States, access to the necessary technological resources to produce electroacoustic music was always very limited for anyone interested. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Among internationally heralded composers of the "serious" genre can be counted the Baroque composer Esteban Salas y Castro — , who spent much of his life teaching and writing music for the Church. He embraced the Cuban nation as his own country and became one of the most accomplished musicians living and working in Cuba at that time. As a composer he specialized in the zarzuela, a musical theatre form, very popular up to World War II. This was later lengthened and staged under the title Seila. Claves are still used often, and wooden boxes cajones were widely used during periods when the drum was banned. Later, northern European forms like minuet , gavotte , mazurka , contradanza , and the waltz appeared among urban whites. He also studied the vihuela with Pujol and researched about the guitar's history and literature. He learned to play sixteen instruments, and lived, variously, in Cuba, Latin America and Paris. There was also an immigration of Chinese indentured laborers later in the 19th century. Hernando de la Parra's archives give some of our earliest available information on Cuban music. His period in Cuba lasted from to , with visits to Puerto Rico and Martinique squeezed in. Roldan's compositions included Overture on Cuban themes , and two ballets: La Rebambaramba and El milagro de Anaquille There followed a series of Ritmicas and Poema negra and Tres toques march, rites, dance His last composition was two Piezas infantiles for piano Roldan died young, at 38, of a disfiguring facial cancer he had been an inveterate smoker. His Tres danzas cubanas for symphony orchestra was first performed in Spain in Bembe was premiered in Havana the same year. In he was one of the founders of the National Symphony Orchestra, which he conducted. It has been perhaps the most popular form of regional music since the introduction of recording technology. In the s, the habanera emerged as a languid vocal song using the contradanza rhythm. During its existence from to , the group organized numerous concerts at the Havana Lyceum in order to present their avant-garde compositions to the general public and fostered within its members the development of many future conductors, art critics, performers and professors. He produced another huge concert the following year, with new material. He was appointed as Director of the Studio, but under the condition that he should be the only one to use the facility. The guitar as it is known today or in one of its historical versions has been present in Cuba since the discovery of the island by Spain. In he performed at a much acclaimed concert in Havana, after returning from Spain. This creolization of Cuban life has been happening for a long time, and by the 20th century, elements of African belief, music and dance were well integrated into popular and folk forms. Important among these are France and its colonies in the Americas , and the United States. The work used about musicians and a choir of singers plus a tumba francesa group from Santiago de Cuba. She inaugurated the guitar department at the Havana Municipal Conservatory in , where she also introduced the teachings of the Cuban folk guitar style. During the middle years of the 19th century, a young American musician came to Havana: Louis Moreau Gottschalk — , whose father was a Jewish businessman from London, and his mother a white creole of French Catholic background. These numbers made use of typical Cuban rhythmic patterns. Gaspar Villate — produced abundant and wide-ranging work, all centered on opera. Cervantes was called by Aaron Copland a "Cuban Chopin " because of his Chopinesque piano compositions. It was premiered in He founded various organizations and wrote frequently on musical topics. After the Cuban Revolution in , a new crop of classical musicians came onto the scene. Gonzalo Roig — was a major force in the first half of the century. In this capacity, he created electroacoustic music for all the audiovisual materials produced by ICAP. There he met Caturla, at sixteen a second violin. After nine years working without restitution, Blanco finally obtained financing to set up an Electroacoustic Studio to be used for his work. From then on, most musicians have kept their careers on one side of the invisible line or the other. He was a prolific composer of songs and music for stage and film. During the last decades of the 20th century and the beginning of the 21st century a new generation of composers emerged into the Cuban classical music panorama. For this reason, it was not until that another Cuban composer, Sergio Barroso , dedicated himself to the creation of electroacoustic musical compositions.